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https://w.atwiki.jp/touhoukashi/pages/3042.html
【登録タグ A-One D MONTAGE Green あき 宇宙を飛ぶ不思議な巫女 曲 永遠の春夢 越田Rute隆人】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/2320.html
【登録タグ CALEN SOUND HOLIC W zikeez 天 -TEN- 幻想のホワイトトラベラー 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/3557.html
【登録タグ L THE OTHER FLOWER YURiCa/花たん 亡失のエモーション 曲 葵】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/rebootcamp/pages/88.html
海外ニュース ●ニュース(自動取得) ★infoshop news showrss プラグインエラー RSSが見つからないか、接続エラーです。 ★infoshop Blog showrss プラグインエラー RSSが見つからないか、接続エラーです。 ★UbuWeb UbuWeb(wikipedia en)は、アバンギャルド、エスノ・ポエティクスとアウトサイダー・アートの全ての仕事に捧げられる完全に独立したリソースです。 新着記事は見つかりませんでした。 ★GoogleニュースUS (Summit) Not invited to Biden's democracy summit, China launches a propaganda blitz - NPR The Summit for Democracy's missing link is debt transparency | TheHill - The Hill Harris uses democracy summit to call for passage of voting rights laws | TheHill - The Hill What Is South Asia's Role at Biden's Democracy Summit? - Foreign Policy NATO Secretary General joins Summit for Democracy - NATO HQ Cooking oil crook caught in the act, police say - WNEP Scranton/Wilkes-Barre How to enjoy the Summit County cannabis scene - Summit Daily Opinion | Susan Knopf Summit hit the trifecta with new maps - Summit Daily Gov. 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- The New York Times Fact Sheet Building A New Era of Nation-to-Nation Engagement - The White House Regional dispatch center charts course toward creation, with or without Stow - Akron Beacon Journal Days after COP26, US oversees historic oil and gas lease sale - NPR U.S. and China announce surprise climate agreement at COP26 summit - NPR Forbes Announces 2021 Power Women's Summit, Recognizing Trailblazing Leaders Who Are Reshaping The World - Forbes Seven doctors contract Covid after attending Florida anti-vaccine summit - The Guardian China and U.S. Quietly Released Captive Citizens Before Summit - The New York Times Qualcomm Snapdragon Summit 2021 live blog new gaming device and Snapdragon 8cx - TechRadar Hikers reach summit of Mount Marcy wearing sneakers in 8-inch snow, then call rangers for a ride - newyorkupstate.com China-ASEAN summit begins without a Myanmar representative - Al Jazeera English Tokyo Nutrition for Growth Summit 2021 an opportunity to accelerate the efforts towards achieving the SDGs - The Lancet COP architects furious at lack of climate justice at pivotal summit - Nature.com Russia suspected of blocking Biden's bid to host Asian summit - POLITICO Why the Five Kage Summit Is the Best Arc in Naruto | CBR - CBR - Comic Book Resources Climate Summit Reveals Challenges for Biden Administration - U.S. News World Report 'It's even better than we imagined' Akron investing another $2 million in Summit Lake - Akron Beacon Journal ‘Deep regret’ Global climate summit fails developing nations once again - The Verge The Climate Summit Blues | On the Media - WNYC Studios In joint op-ed, China and Russia decry US democracy summit - FRANCE 24 World leaders commit to ambitious goals at U.N. climate summit - NPR Tickets now on sale for 2022 Summit Racing Equipment NHRA Nationals - NHRA.com The REVOLT Summit Made A Successful Return To Atlanta With Star Studded Lineup - Forbes Biden Democracy Summit Must Prove Skeptics Wrong - Foreign Policy DealBook Online Summit Antony Blinken Warns on China, Mary Barra Plugs EVs - The New York Times 34-year-old Summit County resident dies from COVID-19 - Summit Daily News ★GoogleニュースUS (G8) Asia floating and offshore renewables specialist G8 to use 3DOM's next-gen Li-ion batteries - Energy Storage News Ex-President Bush, wife may have been hit with `Havana Syndrome` in G8 summit in 2007 Report - WION HP Z2 G8 Tower Review - PCMag G8 Subsea, KoolLogix and Nanosun win top accolades at Emerging Enterprise Awards - The Business Times G8 to increase long-haul DWDM network capacity in Brazil - Fibre Systems G8 confirms David Foster as new Chairperson, as Mark Johnson steps down - The Sector Council OKs first step toward new housing downtown - Globe Gazette Hands on HP EliteBook 840 Aero G8 packs the bells and whistles - Techgoondu HP ZBook Fury 15 G8 - Review 2021 - PCMag India Singapore floating PV company targeting offshore expansion – pv magazine International - pv magazine International World Championship Game 8 Nepomniachtchi self-destructs - Chessbase News G8 Education gets conditional approval for Yanchep build - The Sector ‘She defined modern Germany’ Blair, Barroso and Prodi on Angela Merkel - The Guardian Police and divers spotted at Exeter quay - Devon Live Best Cyber Monday HP deals 2021 - Laptop Mag HP ZBook Studio G8 review works hard, plays harder - The Verge Twenty Years Since the Genoa G8 Protests, Globalization Is Imploding - Jacobin magazine G7 summit Cornwall - why G8 became 7 and the history of the meeting of world leaders - Cornwall Live Phillip Chodur's G8 looking for rezoning OK from city - Globe Gazette G8 Utilities Industry Guide to 2025 - Featuring Hydro-Quebec, Enbridge and Edison Among Others - ResearchAndMarkets.com - Yahoo Finance HP EliteBook 840 Aero G8 Review - PCMag HP ZBook Firefly 14 G8 review Upgraded CPU and GPU, but screen options and battery life disappoint Review - ZDNet Global Waste Management Group of Eight (G8) Industry Guide 2021 Market Summary, Competitive Analysis and Forecast to 2025 - ResearchAndMarkets.com - Business Wire HP ZBook Studio G8 review - Laptop Mag Why more engineers need PhDs - Create - create digital G8 Power Generation Industry Guide - Summary, Competitive Analysis and Forecast to 2025 - ResearchAndMarkets.com - Business Wire Airline staff at Bengaluru airport force 4-year-old to undergo Covid-19 test | Bengaluru News - Times of India HP ZBook Firefly 14 G8 review - Laptop Mag Kill unwanted noise and dial in “sliced and diced metal rhythm tone” with Revv Amplification’s G8 Noise Gate - MusicRadar HP’s ZBook Studio G8 is a serious laptop that isn’t afraid to show its fun side - The Verge HP ZBook Fury 15 G7 vs. ZBook Fury 15 G8 What's the difference? - Notebookcheck.net G8 Metals and Mining Industry Guide to 2024 - Featuring Alcoa, Barrick Gold and ThyssenKrupp Among Others - ResearchAndMarkets.com - Business Wire G8 Gas Utilities Industry Guide to 2025 - Market Summary, Competitive Analysis and Forecasts - ResearchAndMarkets.com - Business Wire Pet Healthcare G8 Industry to 2024 - Featuring Nestle, Bayer and Zoetis Among Others - ResearchAndMarkets.com - Business Wire Blue Star Gold Announces Investor Relations Engagement with G8 Strategies LLC - Yahoo Finance Ride Of The Week 07/19/2021 Ray Turner's 2009 Pontiac G8 GT - NorthcentralPa.com G8 acquires in home care provider as it extends support for families with complex needs - The Sector G8 childcare out of short-seller pan, into glut fire? - The Australian Financial Review The HP EliteBook 840 G8 has one huge advantage over most other business laptops, but it comes at a cost - Notebookcheck.net HP ZBook Firefly 14 G8 Review For those that need a bit more - XDA Developers HP EliteBook 840 Aero G8 Review Superlight, Superexpensive - Digital Trends Air Freight Global Group of Eight (G8) Industry Guide 2021 - Market Summary, Competitive Analysis and Forecast to 2025 - ResearchAndMarkets.com - Business Wire Business Spotlight G8 Strategies LLC (sponsored) | Serving Northern Nevada - Northern Nevada Business Weekly Upgrade Your G8 Motor Mounts With BMR Suspension - TURNology HP ZBook Firefly G8 Review - StorageReview.com HP ZBook Studio 15 G8 Laptop Review More Options Than Ever Before - Notebookcheck.net G7 Summit 2021 All you need to know about history of annual summit founded in 1975 - Firstpost Buying a Used Pontiac G8 GXP These Are Common Issues You Should Consider - autoevolution Weekly Treasure 2009 Pontiac G8 GXP - CarBuzz Moto G8 review a decent smartphone on a tight budget - T3 Asus ProArt StudioBook Pro 16 W7600 laptop in review Powerful and light workstation - Notebookcheck.net G8 Education updates on new Greenfield strategy as it positions for sustainable growth - The Sector Android 11 update begins rolling out for Moto G8 and G8 Power - 9to5Google The impact the G8 summit had on Enniskillen in Northern Ireland in 2013 - Cornwall Live HP Z2 SFF G8 Workstation Review - StorageReview.com 2009 Supercharged Pontiac G8 Races BMW X3 M, Loser Gets Completely Obliterated - autoevolution What is the G8 and what does it do? 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- Simply Wall St HP ZBook Firefly 15 G8 Now with more performance but also with higher heat development - Notebookcheck.net What Is (or Was) the G8? - LiveScience.com Details of G8 Education's sector first Sustainability Linked Loan revealed in Westpac release - The Sector When the G8 came to Birmingham - and Bill Clinton had a pint at the Malt House - Birmingham Live Don’t Cry for the G8 It’s Mostly a Waste of Time - New Yorker The difference between G-7, G-8, and G-20 — and why they matter - CNBC Anarchists dedicate attack to Genoa G8 victim - English - ANSA G8 Education celebrates trainee success with awards and surprises - The Sector The new HP EliteBook 830 G8 is a great subnotebook with 5G, but you should avoid the SureView panel - Notebookcheck.net LG’s G8 ThinQ arrives in the US on April 11th - The Verge What Does the G7 Stand For? - TIME We Think G8 Education (ASX GEM) Can Stay On Top Of Its Debt - Simply Wall St G8 discounts fees for services impacted by ACT lockdown - The Sector Universal bootloader unlock method has been found for the LG G8, G8S, G8X, and V50 ThinQ - XDA Developers Basis for exclusion of Russia from G8 still exists - Germany - Reuters UK Forget MacBook Pro M1 HP ZBook Firefly G8 is a 3-pound laptop that lasts 14 hours - Tom's Guide 'G8 Comeback' Mother-son duo make Philippine-inspired cookies - WISHTV.com Motorola’s Moto G8 line is confusing here’s how the nine phones compare - TechRadar LG’s palm-reading G8 has a unique vision of the future - The Verge Trump Keeps Blaming Obama, But Putin Got His Own Damn Self Kicked Out Of The G8 - BuzzFeed News The El Camino-Esque Pontiac G8 Sport Truck is a Car Worth Giving Up On - Car and Driver Motorola Moto G8 Plus, hands on A worthy update, but is it enough to stand out? Review - ZDNet
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CHAPTER XVII UP CHAPTER XIX CHAPTER XVIII Anne to the Rescue ALL things great are wound up with all things little. At first glance it might not seem that the decision of a certain Canadian Premier to include Prince Edward Island in a political tour could have much or anything to do with the fortunes of little Anne Shirley at Green Gables. But it had. It was a January the Premier came, to address his loyal supporters and such of his nonsupporters as chose to be present at the monster mass meeting held in Charlottetown. Most of the Avonlea people were on Premier s side of politics; hence on the night of the meeting nearly all the men and a goodly proportion of the women had gone to town thirty miles away. Mrs. Rachel Lynde had gone too. Mrs. Rachel Lynde was a red-hot politician and couldn t have believed that the political rally could be carried through without her, although she was on the opposite side of politics. So she went to town and took her husband--Thomas would be useful in looking after the horse--and Marilla Cuthbert with her. Marilla had a sneaking interest in politics herself, and as she thought it might be her only chance to see a real live Premier, she promptly took it, leaving Anne and Matthew to keep house until her return the following day. Hence, while Marilla and Mrs. Rachel were enjoying themselves hugely at the mass meeting, Anne and Matthew had the cheerful kitchen at Green Gables all to themselves. A bright fire was glowing in the old-fashioned Waterloo stove and blue-white frost crystals were shining on the windowpanes. Matthew nodded over a FARMERS ADVOCATE on the sofa and Anne at the table studied her lessons with grim determination, despite sundry wistful glances at the clock shelf, where lay a new book that Jane Andrews had lent her that day. Jane had assured her that it was warranted to produce any number of thrills, or words to that effect, and Anne s fingers tingled to reach out for it. But that would mean Gilbert Blythe s triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn t there. "Matthew, did you ever study geometry when you went to school?" "Well now, no, I didn t," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you d be able to sympathize with me. You can t sympathize properly if you ve never studied it. It is casting a cloud over my whole life. I m such a dunce at it, Matthew." "Well now, I dunno," said Matthew soothingly. "I guess you re all right at anything. Mr. Phillips told me last week in Blair s store at Carmody that you was the smartest scholar in school and was making rapid progress. `Rapid progress was his very words. There s them as runs down Teddy Phillips and says he ain t much of a teacher, but I guess he s all right." Matthew would have thought anyone who praised Anne was "all right." "I m sure I d get on better with geometry if only he wouldn t change the letters," complained Anne. "I learn the proposition off by heart and then he draws it on the blackboard and puts different letters from what are in the book and I get all mixed up. I don t think a teacher should take such a mean advantage, do you? We re studying agriculture now and I ve found out at last what makes the roads red. It s a great comfort. I wonder how Marilla and Mrs. Lynde are enjoying themselves. Mrs. Lynde says Canada is going to the dogs the way things are being run at Ottawa and that it s an awful warning to the electors. She says if women were allowed to vote we would soon see a blessed change. What way do you vote, Matthew?" "Conservative," said Matthew promptly. To vote Conservative was part of Matthew s religion. "Then I m Conservative too," said Anne decidedly. "I m glad because Gil--because some of the boys in school are Grits. I guess Mr. Phillips is a Grit too because Prissy Andrews s father is one, and Ruby Gillis says that when a man is courting he always has to agree with the girl s mother in religion and her father in politics. Is that true, Matthew?" "Well now, I dunno," said Matthew. "Did you ever go courting, Matthew?" "Well now, no, I dunno s I ever did," said Matthew, who had certainly never thought of such a thing in his whole existence. Anne reflected with her chin in her hands. "It must be rather interesting, don t you think, Matthew? Ruby Gillis says when she grows up she s going to have ever so many beaus on the string and have them all crazy about her; but I think that would be too exciting. I d rather have just one in his right mind. But Ruby Gillis knows a great deal about such matters because she has so many big sisters, and Mrs. Lynde says the Gillis girls have gone off like hot cakes. Mr. Phillips goes up to see Prissy Andrews nearly every evening. He says it is to help her with her lessons but Miranda Sloane is studying for Queen s too, and I should think she needed help a lot more than Prissy because she s ever so much stupider, but he never goes to help her in the evenings at all. There are a great many things in this world that I can t understand very well, Matthew." "Well now, I dunno as I comprehend them all myself," acknowledged Matthew. "Well, I suppose I must finish up my lessons. I won t allow myself to open that new book Jane lent me until I m through. But it s a terrible temptation, Matthew. Even when I turn my back on it I can see it there just as plain. Jane said she cried herself sick over it. I love a book that makes me cry. But I think I ll carry that book into the sitting room and lock it in the jam closet and give you the key. And you must NOT give it to me, Matthew, until my lessons are done, not even if I implore you on my bended knees. It s all very well to say resist temptation, but it s ever so much easier to resist it if you can t get the key. And then shall I run down the cellar and get some russets, Matthew? Wouldn t you like some russets?" "Well now, I dunno but what I would," said Matthew, who never ate russets but knew Anne s weakness for them. Just as Anne emerged triumphantly from the cellar with her plateful of russets came the sound of flying footsteps on the icy board walk outside and the next moment the kitchen door was flung open and in rushed Diana Barry, white faced and breathless, with a shawl wrapped hastily around her head. Anne promptly let go of her candle and plate in her surprise, and plate, candle, and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn t been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?" "Oh, Anne, do come quick," implored Diana nervously. "Minnie May is awful sick--she s got croup. Young Mary Joe says--and Father and Mother are away to town and there s nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn t know what to do--and oh, Anne, I m so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard. "He s gone to harness the sorrel mare to go to Carmody for the doctor," said Anne, who was hurrying on hood and jacket. "I know it as well as if he d said so. Matthew and I are such kindred spirits I can read his thoughts without words at all." "I don t believe he ll find the doctor at Carmody," sobbed Diana. "I know that Dr. Blair went to town and I guess Dr. Spencer would go too. Young Mary Joe never saw anybody with croup and Mrs. Lynde is away. Oh, Anne!" "Don t cry, Di," said Anne cheerily. "I know exactly what to do for croup. You forget that Mrs. Hammond had twins three times. When you look after three pairs of twins you naturally get a lot of experience. They all had croup regularly. Just wait till I get the ipecac bottle--you mayn t have any at your house. Come on now." The two little girls hastened out hand in hand and hurried through Lover s Lane and across the crusted field beyond, for the snow was too deep to go by the shorter wood way. Anne, although sincerely sorry for Minnie May, was far from being insensible to the romance of the situation and to the sweetness of once more sharing that romance with a kindred spirit. The night was clear and frosty, all ebony of shadow and silver of snowy slope; big stars were shining over the silent fields; here and there the dark pointed firs stood up with snow powdering their branches and the wind whistling through them. Anne thought it was truly delightful to go skimming through all this mystery and loveliness with your bosom friend who had been so long estranged. Minnie May, aged three, was really very sick. She lay on the kitchen sofa feverish and restless, while her hoarse breathing could be heard all over the house. Young Mary Joe, a buxom, broad-faced French girl from the creek, whom Mrs. Barry had engaged to stay with the children during her absence, was helpless and bewildered, quite incapable of thinking what to do, or doing it if she thought of it. Anne went to work with skill and promptness. "Minnie May has croup all right; she s pretty bad, but I ve seen them worse. First we must have lots of hot water. I declare, Diana, there isn t more than a cupful in the kettle! There, I ve filled it up, and, Mary Joe, you may put some wood in the stove. I don t want to hurt your feelings but it seems to me you might have thought of this before if you d any imagination. Now, I ll undress Minnie May and put her to bed and you try to find some soft flannel cloths, Diana. I m going to give her a dose of ipecac first of all." Minnie May did not take kindly to the ipecac but Anne had not brought up three pairs of twins for nothing. Down that ipecac went, not only once, but many times during the long, anxious night when the two little girls worked patiently over the suffering Minnie May, and Young Mary Joe, honestly anxious to do all she could, kept up a roaring fire and heated more water than would have been needed for a hospital of croupy babies. It was three o clock when Matthew came with a doctor, for he had been obliged to go all the way to Spencervale for one. But the pressing need for assistance was past. Minnie May was much better and was sleeping soundly. "I was awfully near giving up in despair," explained Anne. "She got worse and worse until she was sicker than ever the Hammond twins were, even the last pair. I actually thought she was going to choke to death. I gave her every drop of ipecac in that bottle and when the last dose went down I said to myself--not to Diana or Young Mary Joe, because I didn t want to worry them any more than they were worried, but I had to say it to myself just to relieve my feelings--`This is the last lingering hope and I fear, tis a vain one. But in about three minutes she coughed up the phlegm and began to get better right away. You must just imagine my relief, doctor, because I can t express it in words. You know there are some things that cannot be expressed in words." "Yes, I know," nodded the doctor. He looked at Anne as if he were thinking some things about her that couldn t be expressed in words. Later on, however, he expressed them to Mr. and Mrs. Barry. "That little redheaded girl they have over at Cuthbert s is as smart as they make em. I tell you she saved that baby s life, for it would have been too late by the time I got there. She seems to have a skill and presence of mind perfectly wonderful in a child of her age. I never saw anything like the eyes of her when she was explaining the case to me." Anne had gone home in the wonderful, white-frosted winter morning, heavy eyed from loss of sleep, but still talking unweariedly to Matthew as they crossed the long white field and walked under the glittering fairy arch of the Lover s Lane maples. "Oh, Matthew, isn t it a wonderful morning? The world looks like something God had just imagined for His own pleasure, doesn t it? Those trees look as if I could blow them away with a breath--pouf! I m so glad I live in a world where there are white frosts, aren t you? And I m so glad Mrs. Hammond had three pairs of twins after all. If she hadn t I mightn t have known what to do for Minnie May. I m real sorry I was ever cross with Mrs. Hammond for having twins. But, oh, Matthew, I m so sleepy. I can t go to school. I just know I couldn t keep my eyes open and I d be so stupid. But I hate to stay home, for Gil--some of the others will get head of the class, and it s so hard to get up again--although of course the harder it is the more satisfaction you have when you do get up, haven t you?" "Well now, I guess you ll manage all right," said Matthew, looking at Anne s white little face and the dark shadows under her eyes. "You just go right to bed and have a good sleep. I ll do all the chores." Anne accordingly went to bed and slept so long and soundly that it was well on in the white and rosy winter afternoon when she awoke and descended to the kitchen where Marilla, who had arrived home in the meantime, was sitting knitting. "Oh, did you see the Premier?" exclaimed Anne at once. "What did he look like Marilla?" "Well, he never got to be Premier on account of his looks," said Marilla. "Such a nose as that man had! But he can speak. I was proud of being a Conservative. Rachel Lynde, of course, being a Liberal, had no use for him. Your dinner is in the oven, Anne, and you can get yourself some blue plum preserve out of the pantry. I guess you re hungry. Matthew has been telling me about last night. I must say it was fortunate you knew what to do. I wouldn t have had any idea myself, for I never saw a case of croup. There now, never mind talking till you ve had your dinner. I can tell by the look of you that you re just full up with speeches, but they ll keep." Marilla had something to tell Anne, but she did not tell it just then for she knew if she did Anne s consequent excitement would lift her clear out of the region of such material matters as appetite or dinner. Not until Anne had finished her saucer of blue plums did Marilla say "Mrs. Barry was here this afternoon, Anne. She wanted to see you, but I wouldn t wake you up. She says you saved Minnie May s life, and she is very sorry she acted as she did in that affair of the currant wine. She says she knows now you didn t mean to set Diana drunk, and she hopes you ll forgive her and be good friends with Diana again. You re to go over this evening if you like for Diana can t stir outside the door on account of a bad cold she caught last night. Now, Anne Shirley, for pity s sake don t fly up into the air." The warning seemed not unnecessary, so uplifted and aerial was Anne s expression and attitude as she sprang to her feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I ll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently. "Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She s gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It ll be a mercy if she doesn t catch her death of cold." Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne s heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I m perfectly happy--yes, in spite of my red hair. Just at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could, `I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion. That was a pretty dignified way of speaking wasn t it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry s head. And Diana and I had a lovely afternoon. Diana showed me a new fancy crochet stitch her aunt over at Carmody taught her. Not a soul in Avonlea knows it but us, and we pledged a solemn vow never to reveal it to anyone else. Diana gave me a beautiful card with a wreath of roses on it and a verse of poetry "If you love me as I love you Nothing but death can part us two. And that is true, Marilla. We re going to ask Mr. Phillips to let us sit together in school again, and Gertie Pye can go with Minnie Andrews. We had an elegant tea. Mrs. Barry had the very best china set out, Marilla, just as if I was real company. I can t tell you what a thrill it gave me. Nobody ever used their very best china on my account before. And we had fruit cake and pound cake and doughnuts and two kinds of preserves, Marilla. And Mrs. Barry asked me if I took tea and said `Pa, why don t you pass the biscuits to Anne? It must be lovely to be grown up, Marilla, when just being treated as if you were is so nice." "I don t know about that," said Marilla, with a brief sigh. "Well, anyway, when I am grown up," said Anne decidedly, "I m always going to talk to little girls as if they were too, and I ll never laugh when they use big words. I know from sorrowful experience how that hurts one s feelings. After tea Diana and I made taffy. The taffy wasn t very good, I suppose because neither Diana nor I had ever made any before. Diana left me to stir it while she buttered the plates and I forgot and let it burn; and then when we set it out on the platform to cool the cat walked over one plate and that had to be thrown away. But the making of it was splendid fun. Then when I came home Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover s Lane. I assure you, Marilla, that I feel like praying tonight and I m going to think out a special brand-new prayer in honor of the occasion." CHAPTER XVII UP CHAPTER XIX 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 23 23 (Tue)
https://w.atwiki.jp/postal2-wiki/pages/35.html
Steam版Postal2 Completeの実績一覧です。 http //www.exophase.com/game/postal-2-complete-steam/achievements/ POSTAL 2 Complete Achievement List 40 Year Old Virgin(童貞は40歳)Completed the "POSTAL 2" game mode with a total play time of 1 30 00 or less."POSTAL 2"ゲームモードを1 30 00以内にクリア A-Rod Who?Whacked a severed head 50 meters or more with the shovel. And THAT S why you never get out of the treeKilled all of the book protestors in the library.図書館のブック・プロテスター全員を殺す Anger Management With Roger ClemensNailed a fleeing bystander with a tossed sledgehammer. Anustart!Completed the "POSTAL 2" game mode with no kills.誰も殺さずに"POSTAL 2"ゲームモードをクリア C U Next TuesdaySurvived Tuesday.(火曜日を生き残る) CAN YOU DIG IT?!Completed the "POSTAL 2" game mode using only the Shovel to kill. (Must kill at least 5 people.)"POSTAL 2"ゲームモードをシャベル殺人だけでクリア(最低でも5人殺す) Can t Touch This(触れさせやしないさ)Exploded 30 heads via sledgehammer to the face.30人の顔面にスレッジハンマーをぶち込んで頭を爆発させる Cesar Millan is GayMauled 30 people with your dog.30人に犬をけしかける Chapelle s ShowLured a police officer with a piss-soaked donut.しょんべん漬けドーナツで警官をおびき出す Chuck Norris d!(チャック・ノリスだぜ!)Killed someone with a flying jump kick.フライングジャンプキックで殺す Darth Maul d!Sliced 30 people in half with the scythe.30人を大鎌で真っ二つにする Do you even Enzyte, bro?Unzipped your pants and got 3 women to laugh at it.ズボンのチャックを開いて3人の女性に笑われる Don t taze me, bro!Zapped 20 innocent bystanders with the tazer while wearing the police officer s uniform.20人の罪なき通行人を警官の服を着ているときにテーザーでやっつける Door MatSevered all of somebody s limbs without killing them.殺さずに手足におさらばさせる Duck DynastyUsed a Bass Sniffer Radar. FAB-U-LOUS!Wore all three outfits.3着すべてを着る Fear and LoathingSmoked over 10 "health" pipes and 10 tins of catnip in one play session.1回のセッションで10以上の"ヘルス"パイプとキャットニップを吸う Finkle IS Einhorn!Gave a kickoff to a severed head.頭にキックをお見舞いする Found em faster than GWB Friend of DorothySuccessfully hid from the police at max wanted level.最大捜査レベルの時に警官から隠れることに成功 Fur Sure!Showed Vince and Mike J. what you thought of them.Vince と Mike J. に思いのたけをぶつける Gary vs. a Giant Penis GOOD MORNING VIETNAM!Burned 5 people with the same can of napalm.同じナパーム缶で5人を燃やす Gotta pay the Troll Toll Hello, NewmanKicked 30 dogs.30匹の犬をキック Here, WilfredGained your first dog helper. Hutton Gibson Can t Deny This!Killed over 1,000 people.1000人みなごろし I Am Legend(俺が伝説だ)Committed suicide... the Taliban way.タリバン式自殺を遂行 I don t know whether to kiss you or kill youPut out someone that s on fire. I don t need virgins for thisSuicide-bombed a Taliban member.タリバンのメンバーを自殺爆発に巻き込む I should buy a boat(ボートを買わなきゃな)Read the newspaper every day.毎日新聞を読む I swear, I am NOT Marcellus WallaceKilled 10 bystanders while wearing the gimp outfit.gimp の服を着てる時に10人の通行人を殺す I swear, I thought it was a home fillExploded a nuclear bomb.核爆弾を爆発させる It must be Thursday, I could never get the hang of ThursdaysSurvived Thursday.木曜日を生き延びる It s not cheating, because it s YOUR dogPlayed "fetch" with your dog... using a severed human head. It s OK, we got Greenlit anywayKilled someone who refused to sign your petition.署名に拒否した野郎をぶっ殺す It s sterile and I like the tasteSucked down your own piss.しょんべんをぶっかけて吐かせる John Rambo d! Lieberman is our Leader!Killed all of the video game protestors at the RWS Office.RWS オフィスのビデオゲーム反対者全員を殺す Michonne ain t got nothin on meResurrected a zombie corpse for your own nefarious purposes. Officer McLovin Asked a police officer to sign your petition.警官に署名してもらうように頼む OMG, NEW MODERN FAMILY TONIGHT!Survived Wednesday. OMG, WE RE HAVING A FIRE...saleRoasted 30 people with fire. One time, at band camp...Saved the marching band from explody death. Paid the PiperSuccessfully bribed your way out of an arrest. Planet of the Apes The MusicalCompleted the game (any mode) on Hestonworld difficulty. Pussy on a PedestalSlaughtered 10 dogs with a kitty-silenced shotgun. R. Kelly s ProtegePissed in someone s face until they puked from it. Rebecca Black s NightmareTotaled 30 cars. Reddit would be proud.Hoarded 15 or more cats at a time. Rick Grimes 4 LifeMade 30 zombies lose their heads. Running With ScissorsRan 30 miles while holding the scissors. Scientology Level OT VIIICompleted the "A Week In Paradise" game mode on POSTAL difficulty. Screw Bill Lumbergh!Survived Saturday. SCREW that game! Senor CornballerAte 30 donuts while wearing the police officer s uniform. Sheriff Arpaio would be proud.Killed 30 or more people of each skin color. Shiva Blast"Lost" your sledgehammer to a cow. Someone s got a case of the Mondays!Survived Monday. Taxidermy with Chuck TestaUsed a cat to "accessorize" your gun. Thanks for the money!Finished all seven days. There s always money in the banana stand Uncle T-BagEscaped from the maximum-security jail cell. Well, aren t YOU a badassKicked open a door. Where s Mr. McGibblets?Gave Krotchy the bad touch. Workin for the WeekendSurvived Friday. You are not alone
https://w.atwiki.jp/shintarot/pages/11.html
We responded to 13 of the 49 incidents last year. Just over one-fourth. It is simple if Martians attack was sorted to three-fourths. You would be amazed to hear Martians will attack tonight, but it is likely that a blood-stained man like a zombie is walking unsteadily. Police have not responded to all the calls while Martians became suspects. Based on these facts, Togaki concluded that they just act on the spur of the moment. I m sorry. Hikari looked abashed. How is Togame-san getting along? Togaki changed the subject, regretting his remark that made her apologize. A robot which helps a police officer is his prime concern. Togame having a smug look on his face came into her mind. He said that there is no death when a robot replaces a police officer. Will we lose our jobs? She smiled. The robot is equipped with a database of video covering fundamental human activities. In addition, the robot can check behavior in sight through camera. The robot is expected to take a suitable response based on the database as well as an actual human behavior. Togame says the robot s predictive accuracy is 82 per cent. Furthermore, failure can teach the robot. It is because the database records the human behavior the robot failed to predict. If the learning means a parameter increase simply, it is doubtful whether it would improve accuracy. 3-for-10 sees .300 batter while three hits are insufficient to hitting .300 for eleven bats. Togame sat at his desk in video, and dropped his eyes on a book. A glass before him was nearly empty. Togame preoccupied with the book extended his hand toward the glass to drink it up when the robot picked up a beer from refrigerator and tried to pour him it. Beer flew out and spread on the desk. Such failure adds to the database a possibility that Togame moves a glass. The robot became wiser. Hikari was afraid that more and more options due to the experiences would confuse the robot. The robot should not get dysfunctional. The robot opened refrigerator when Togame took a remainder of salad from table. The graceful movement that was inefficient irritated her. PREV Waterfall 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9
https://w.atwiki.jp/metalmetabo/pages/30.html
- visitors Metabolic pathway analysis of enzyme-deficient human red blood cells T ÇakIr, CS Tacer, KÖ Ülgen - Biosystems, 2004 - Elsevier http //scholar.google.com/scholar?q=related 8w1qIgoYqGcJ scholar.google.com/ hl=ja as_sdt=2000 Five enzymopathies (G6PDH, TPI, PGI, DPGM and PGK deficiencies) in the human red blood cells are investigated using a stoichiometric modeling approach, ie, metabolic pathway analysis. Elementary flux modes (EFMs) corresponding to each enzyme deficiency case ... Reconstruction of metabolic networks from genome data and analysis of their global structure for various organisms oxfordjournals.org [PDF]H Ma, AP Zeng - Bioinformatics, 2003 - Oxford Univ Press http //scholar.google.com/scholar?q=related SuHZgSLeNw8J scholar.google.com/ hl=ja as_sdt=2000 Page 1. BIOINFORMATICS Vol. 19 no. 2 2003 Pages 270–277 Reconstruction of metabolic networks from genome data and analysis of their global structure for various organisms Hongwu Ma1, 2 and An-Ping Zeng1,∗ 1GBF ... Elementary mode analysis a useful metabolic pathway analysis tool for characterizing cellular metabolism CT Trinh, A Wlaschin, F Srienc - Applied microbiology and biotechnology, 2009 - Springer http //scholar.google.com/scholar?q=related hkaWpJnxK5QJ scholar.google.com/ hl=ja as_sdt=2000 Abstract Elementary mode analysis is a useful metabolic pathway analysis tool to identify the structure of a metabolic network that links the cellular phenotype to the corresponding genotype. The analysis can decompose the intricate metabolic network comprised of ... Extreme pathway analysis of human red blood cell metabolism nih.gov [PDF]SJ Wiback, BO Palsson - Biophysical Journal, 2002 - Elsevier http //scholar.google.com/scholar?q=related hVaLEfzPgSEJ scholar.google.com/ hl=ja as_sdt=2000 Constraints-based models regulation of gene expression reduces the steady-state solution space MW Covert, BO Palsson - Journal of theoretical Biology, 2003 - Elsevier http //scholar.google.com/scholar?q=related o9VRtN2gAKQJ scholar.google.com/ hl=ja as_sdt=2000 ... Biol. 203, 249, 283. 26. CH SCHILLING, S. SCHUSTER, BO PALSSON and R.HEINRICH, Metabolic pathway analysis basic concepts and scientific applications in the post-genomic era. Biotechnol. Prog. 15 (1999), pp. 296–303. ... The JAK-STAT signaling network in the human B-cell an extreme signaling pathway analysis nih.gov [HTML]JA Papin, BO Palsson - Biophysical Journal, 2004 - Elsevier http //scholar.google.com/scholar?q=related myiNLachV-QJ scholar.google.com/ hl=ja as_sdt=2000 From genome to cellular phenotype—a role for metabolic flux analysis? A Cornish-Bowden, ML Cárdenas - Nature Biotechnology, 2000 - nature.com http //scholar.google.com/scholar?q=related Q1z877WO_uAJ scholar.google.com/ hl=ja as_sdt=2000 ... whether a bypass exists within a complex network. Metabolic pathway analysis aims to identify indispensable enzymes, thus predicting the effects of their deletion or inhibition. Flux analysis should also allow the determination ... On-line metabolic pathway analysis based on metabolic signal flow diagram H Shi, K Shimizu - Biotechnology and bioengineering, 1998 - interscience.wiley.com http //scholar.google.com/scholar?q=related wjDdrq_SGcQJ scholar.google.com/ hl=ja as_sdt=2000 Abstract In this work, an integrated modeling approach based on a metabolic signal flow diagram and cellular energetics was used to model the metabolic pathway analysis for the cultivation of yeast on glucose. This ap- proach enables us to make a clear analysis of the flow ... Metabolic pathway analysis of recombinant Saccharomyces cerevisiae with a galactose-inducible promoter based on a signal flow modeling approach S Jin, K Ye, K Shimizu - Journal of Fermentation and Bioengineering, 1995 - Elsevier http //scholar.google.com/scholar?q=related 0uzMsbsJrXEJ scholar.google.com/ hl=ja as_sdt=2000 The objective of this work was to develop a signal flow diagram-based modeling approach proposed by Endo et al. (1976) to organize the network of complex metabolic reactions occurring in the living cell, employing directed signal flow diagram in which the enzyme reaction ... Energy balance for analysis of complex metabolic networks nih.gov [PDF]DA Beard, S Liang, H Qian - Biophysical journal, 2002 - Elsevier http //scholar.google.com/scholar?q=related wcAvs5fp3FgJ scholar.google.com/ hl=ja as_sdt=2000
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More information on what cookies are and the types of cookies we use can be found /p p Tali Lennox has been named as new face of Karen Millen's spring/summer 2012 collection. br br With her rock 'n' roll background and striking features, Tali Lennox embodies the 'bold, confident' woman that Karen Millen wanted to channel for their S/S 2012 collection. br br The 19-year-old daughter of music legend Annie Lennox and Israeli film producer Uri Fruchtmann, decided to follow in her 過疎るのも不思議といえば不思議だ ここcodeaddictionだけじゃない、いくつかあった@wikiを使ったゲーム攻略サイト、 俺が知っている範囲では全部こんな状態だ。中には閉鎖して削除されたものも 確かに管理人が消えてコンテンツが更新されなくなった これも十分な理由だろう しかしあれだけしつこかった荒らしも居ないというのは寂しいものだ -- (nextutozin) 2016-11-26 21 07 56 Xとか生きてんだろうか -- (名無しさん) 2017-04-30 02 15 18 久々に覗いてみたらトップページになんか書いてあるし 長期間更新されてない&コメントがあふれてるからデータ量たっぷり @wiki運営から見れば削除対象になっちゃうのかなぁ -- (nextutozin) 2017-08-24 21 24 18 管理人です 今、管理者アカウントが紛失された状態になってるのでatwikiさんに再発行をお願いした次第です といってもこのサイトのつづきを作りはじめることはないかもですw ただ新しいサイトは作ろうと思っています 大学院生になるのであまり時間はとれないですが。。。 思い出のためにこのサイトはとっておこうと思っています -- (パケモン) 2017-09-17 23 54 51 思い出したので来てみた。 考えてみると俺が小5か6の頃、つまり10年以上前からCODE ADDICTION、中毒があったわけか。 パケモンさんが今年大学院ってことは、小学生か中学生の頃にここを作ったってことになるのか。 俺はそんなすごい人にいろいろと迷惑かけてたんだな… -- (nextutozin) 2018-09-15 21 24 32 久々に見に来てみたらデザインが初期状態?になってるじゃないか SHARKのしわざか?www -- (nextutozin) 2019-02-09 12 58 26 昔の思い出に浸りに、久しぶりに来てみた 当時はみんな小学校高学年~中学生 高校受験あたりから忙しくなって、誰も来なくなった。 あれだけしつこかった荒らしも来なくなった。 今はほとんど社会人、か。 一度オフ会でもしてみたいな、という気持ちもあるが、 ネットで知り合った人と会うのは危険、これ常識。 チャットでもしたいが、難しいかな。 -- (nextutozin) 2019-06-15 21 33 23 コメント失礼します。 私は2011から12年にかけ、Nokoemonという名前でCODE-ADDICTIONを使わせていただいておりました。 先日久方振りに当サイトの存在を思い出し、当時の雰囲気を懐かしもうかと思ったのですが 残念ながら私が最も頻繁に書き込んでいたマリオカートDSのページ(https //w.atwiki.jp/pakemon/pages/50.html)は、荒らしによって過去コメントの大半が流れてしまっているようでした。 そこで大変恐縮ですが、もしwikiの編集権限をお持ちでこのコメントをご覧になっている方がおられましたら、以下のメールアドレスまでご一報いただけますでしょうか。 当時のログが存在しているのであれば、受け取りを希望させていただきたいです。 cosmos(アット)tensi.org 私の目が黒いうちは上記アドレスの運用を続けていく所存ですので、この書き込みから何年が経過していたとしてもメールをお寄せいただいて構いません。 厚かましいお願いとは存じますが、何卒よろしくお願い申し上げます。 ご連絡をお待ちしております。 -- (Nokoemon) 2021-02-05 23 31 47 nextutozinさん メール拝読いたしました。ありがとうございます。 やはり望み薄ですね…実は当時、副管理人の方にも同様の質問をした際もログは存在しないとの回答だった記憶が仄かにあったのですが、 記憶違いという一抹の希望に賭けてこの度書き込みを行わせていただきました。 それにしても、ここまで早くご連絡いただけるとは予想もしておりませんでしたので大変驚きました。 このサイトを卒業されても皆さんはどこかでしっかり生きておられるんだなと感慨深い思いです。 本当は直接返信させていただきたかったのですが、恐縮ながら多忙で実現できぬままメールが保管期限を迎え削除されてしまいましたので この場を借りてお礼申し上げます。 改めまして、ありがとうございました。 -- (Nokoemon) 2021-06-24 02 11 19 時々思い出してアクセスして、「誰も書き込んでないか。そらそうか」となるのが常だったので Nokoemonさんの書き込みがあって嬉しいです。 code addiction全盛期(2006~2010年ごろかな)、から10年以上… マリオカートやポケモンの改造コードへの興味が薄まって、 当時コメント欄で雑談したり、荒らしたりしてた各々は、きっと自分の人生に真剣に向き合って生きている。 初めてcode addictionに書き込みをしたのは小学校高学年の頃。 当時ゲームとパソコンばっかりしていて両親に心配をかけていた。 紆余曲折ありながらも無事就職して、今は特別なプロジェクトに参加して業務自動化のシステムを構築しています。 小学生の頃に改造コードだの16進数だの言っていたのが今に活きてます。 私事ですが、来月から夜間 休日の大学院に進学します。 仕事は今まで通り継続するので、忙しくなります。なので、ここに来られる頻度は大きく減ります。 大げさに聞こえるかもしれませんが、「チート」「改造」そして「code addiction」は、 私の人生にプラスに働いたと感じています。世間的には「チート」「改造」はネガティブな言葉なのでしょうけど、 私にとっては人生の土台、基礎部分のようなものです。 長くなってしまいましたが、code addictionと管理人、そして私とコミュニケーションを取ってくださった皆様に感謝申し上げます。 ありがとうございました。 -- (nextutozin) 2021-06-27 15 15 39 名前 コメント すべてのコメントを見る
https://w.atwiki.jp/touhoukashi/pages/6408.html
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M SOUND HOLIC Wind Gazer 人恋し神様 ~ Romantic Fall 曲 稲田姫様に叱られるから】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*